Colour has a complex and diversified cu7ltural construct. Serious works on colors in its historical cont6ext is rare. The search for universal or archetypal truths in colour is ahistorical and devoid of transcultural truth, despite what many books based on pseudo-esoteric pop psychology would have us believe.
The silence of historians on the subject of colour is the result of three different sets of problems. The first concerns documentation and preservation. We see the colours transmitted to us as time has altered them from their original past. Moreover, we see them under different conditions from those know by past societies. The second problem concerns methodology. The historian must grapple with a host of factors; e.g., physics, chemistry, materials, iconography, ideology, and the symbolic meanings that colours convey. The proper method resembles that of palaeontologists studying cave paintings without the aid of texts.
The third set of problems is philosophical: it is wrong to project contemporary conceptions and definitions of colour onto past objects as judgments and values are not static and eternal. The danger of anachronism is very real. For example, the natural order of colours was unknown before the 17th century as was the notion of primary and secondary colours. however, research on colours aims is to explore to show how far beyond the artistic sphere this history of colour err in considering the artistic realms only, the lessons to be learned form colour lie elsewhere.
The silence of historians on the subject of colour is the result of three different sets of problems. The first concerns documentation and preservation. We see the colours transmitted to us as time has altered them from their original past. Moreover, we see them under different conditions from those know by past societies. The second problem concerns methodology. The historian must grapple with a host of factors; e.g., physics, chemistry, materials, iconography, ideology, and the symbolic meanings that colours convey. The proper method resembles that of palaeontologists studying cave paintings without the aid of texts.
The third set of problems is philosophical: it is wrong to project contemporary conceptions and definitions of colour onto past objects as judgments and values are not static and eternal. The danger of anachronism is very real. For example, the natural order of colours was unknown before the 17th century as was the notion of primary and secondary colours. however, research on colours aims is to explore to show how far beyond the artistic sphere this history of colour err in considering the artistic realms only, the lessons to be learned form colour lie elsewhere.
What problem regarding colour does the writer explain in the first paragraph?
Created: 4 years ago |
Updated: 11 months ago
Updated: 11 months ago
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ক
Our view of colour is strongly affected by changing fashion
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খ
Analysis is complicated by the bewildering number of natural colours
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গ
Colours can have different associations in different parts of the world
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ঘ
Certain popular books have dismissed colour as insignificant
No explanation available yet.
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Created: 1 month ago |
Updated: 1 month ago
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the forest did not harden it
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the travelers wearing boots
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the shoes had nails on their sole and heel
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ঘ
we enjoyed walking in the woods
Created: 1 month ago |
Updated: 1 month ago
Updated: 1 month ago
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it was good walking with nails in the boots
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it was sheer joy to walk in the forest
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the path was unaffected by the forest
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the walks were instigating
Created: 1 month ago |
Updated: 1 month ago
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we had nailed boots on
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it was good walking on the road
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the walk was refreshing
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the nails bit on the frozen roads
Created: 1 month ago |
Updated: 1 month ago
Updated: 1 month ago
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Suffering over the hills
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To avoid bad weather
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গ
Cannot fly afterwards
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ঘ
Make them confused
Created: 1 month ago |
Updated: 1 month ago
Updated: 1 month ago
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ক
In autumn
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খ
During autumn and early winter
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গ
During the spring and early summer
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ঘ
During winter
Created: 1 month ago |
Updated: 1 month ago
Updated: 1 month ago
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ক
To get warmer
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খ
To get colder
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গ
To migrate
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ঘ
To get light
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প্রশ্ন এডিট করা যাবে
জলছাপ দেয়া যাবে
ঠিকানা যুক্ত করা যাবে
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অটো প্রতিষ্ঠানের নাম
অটো সময়, পূর্ণমান
অটো নির্দেশনা (এডিটযোগ্য)
অটো বিষয় ও অধ্যায়
OMR সংযুক্ত করা যাবে
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সেট কোড, বিষয় কোড
অটো নির্দেশনা (এডিটযোগ্য)
অটো বিষয় ও অধ্যায়
OMR সংযুক্ত করা যাবে
ফন্ট, কলাম, ডিভাইডার
প্রশ্ন/অপশন স্টাইল পরিবর্তন
সেট কোড, বিষয় কোড
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