Read the following passage carefully and answer the questions below

Zahir Raihan was one of the most talented film makers in Bangladesh. He was born on 19 August 1935 in the village Majupur in Feni district. He was an active worker of the Language Movement. He was one of the ten students to go out in a procession on 21 February 1952 despite a ban on such activities imposed by the authorities. As a result, he and many others were arrested and taken to prison. Raihan was also present at the historical meeting of Amtala on 21 February 1952. He also took part in the mass movement in 1969. In 1971, he joined the Liberation War.

All through his life, Zahir Raihan dreamt of a democratic society, a society that would ensure freedom of speech. He had many dreams about our film industry too. He made a legendary film Jibon Theke Neya based on the Language Movement of 1952. It was a protest against the autocratic government then ruling our country. The family portrayed in that film symbolically represented East Pakistan. The family was ruled by an autocrat who had to go to prison for her conspiracy. During the liberation war in 1971, this film was shown outside Bangladesh. Celebrated film makers like Satyajit Ray, Mrinal Sen, and Ritwik Ghatak appreciated the film. Raihan gave all the money, the film made to the Freedom Fighters' trust. Besides his great documentary on Pakistani atrocities, Stop Genocide, helped create world sentiment in favour of our liberation war.

On 30 December 1971, someone informed Raihan about an address somewhere at Mirpur where he might find his brother, the famous writer Shahidullah Kaiser, who had gone missing from 14 December 1971. Kaiser was captured and killed by the Pakistani army and the local collaborators during the last days of the war. Accordingly, Raihan left home to get his brother back but he never returned.

Zahir Raihan's dream was fulfilled. But it's a pity that this dreamer could not live to see his dream come true.

Updated: 6 months ago
No explanation available yet.
āωāĻ¤ā§āϤāϰāσ

Zahir Raihan is one of the most talented film makers in Bangladesh.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

Zahir left home to find his brother Sahidullah Kaiser.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

Shahidullah Kaiser was Zahir Raihan's brother. He was a famous writer. He was captured and killed by the Pakistani army and the local collaborators during the last days of the liberation war.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

'Stop Genocide' had a great effect because it focused on Pakistani atrocities and helped create world sentiment in favour of our Liberation War.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

Zahir contributed all his earnings to the Freedom Fighters' Trust.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

Zahir Raihan participated in the Language Movement as an active worker. He was one of the ten students to participate in the procession on 21 February 1952.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

He was one of the most talented film makers in Bangladesh. He depicted the atrocities of the then Pakistani government through his films like Jibon Theke Neya, Stop Genocide, etc. He always dreamt for a democratic society.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

Zahir Raihan got appreciation from the critics by making the legendary film 'Jibon Theke Neya' and the legendary documentary 'Stop Genocide'.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

On 30 December 1971, someone informed Zahir Raihan about an address somewhere at Mirpur, where he might find his brother, the famous movelist and journalist Shahidullah Kaisar who was captured and killed by the Pakistani army and their local collaborators. Accordingly, Zahir left home and never returned.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

Zahir Raihan was the golden son of Bangladesh. All through his life, he dreamt of a democratic society that would ensure freedom of speech. He took part in Language Movement of 1952 and in the mass movement in 1969. He also took part in the Liberation War. His documentary 'Stop Genocide' helped create world sentiment in favour of our Liberation War. All his activities prove that he was a real patriot and the golden son of Bangladesh.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

Zahir Raihan being informed by someone, went to Mirpur to look for his missing brother Shahidullah Kaisar on 30 December 1971 but he never came back.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

All through his life, he dreamt for a democratic society that will ensure freedom of speech and will.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

He was taken to prison because he joined the procession on 21 February 1952 despite a ban on such activities.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

The film Jibon Theke Neya presented a family which was the miniature of East Pakestan ruled by an autocrat.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

Zahir created world sentiment in favour of our Liberation war through his great documentary on Pakistani atrocities 'Stop Genocide'.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

(a) activist (b) participator/ fighter (c) legendary (d) documentary (e) returned/ came back

Zahir Raihan was a genius of Bengal. He was an (a) activist of language movement. He was also a (b) participator/ fighter of our liberation war. He made a (c) legendary film named 'Jibon Theke Neya' and a (d) documentary 'Stop Genocide'. He was missing from 30 December and never (e) returned/ came back .

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

(a) participant/ worker (b) took (c) establish/ ensure (d) talented (e) sacrificed/ dedicated

An active (a) participant/ worker of language movement, Zahir Raihan was born on 19 August, 1935 in Feni district. He also (b) took part in mass movement and liberation war. He wanted to (c) establish/ ensure freedom of speech. He was a (d) talented film maker. He (e) sacrificed/ dedicated his life for the freedom of the country.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
āωāĻ¤ā§āϤāϰāσ

(a) whom (b) very/ most (c) exclusively (d) active (e) irony

Zahir Raihan is one of those men (a) whom we remember and respect. He was a (b) very/ most talented film maker. He dreamt of an (c) exclusively free, sovereign society. He took (d) active part in the Language Movement, the Mass Movement and the Liberation War. But it was an (e) irony of fate that he could not see the freedom of his motherland with his own eyes.

Md Zahid Hasan
Md Zahid Hasan
6 months ago
92

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Ameen is excited about fighting, just like his father. He thinks it would not take long to return. (āφāĻŽāĻŋāύ āϝ⧁āĻĻā§āϧ āĻ•āϰāϤ⧇ āϝ⧇āϤ⧇ āϚāĻžā§Ÿ āĻ•āĻžāϰāĻŖ āϏ⧇ āϞ⧜āĻžāĻ‡ā§Ÿā§‡āϰ āϜāĻ¨ā§āϝ āĻ…āϧ⧀āϰāĨ¤ āϏ⧇ āĻ­āĻžāĻŦ⧇ āĻāϟāĻŋ āϖ⧁āĻŦ āĻŦ⧇āĻļāĻŋ āϏāĻŽā§Ÿ āύ⧇āĻŦ⧇ āύāĻžāĨ¤)

āωāĻ¤ā§āϤāϰāσ

Sonabhan mixes water with rice husks and gives it to her ducks. They eat it quickly. (āϏ⧋āύāĻžāĻ­āĻžāύ āϧāĻžāύ⧇āϰ āϤ⧁āώ⧇āϰ āϏāĻžāĻĨ⧇ āĻĒāĻžāύāĻŋ āĻŽāĻŋāĻļāĻŋā§Ÿā§‡ āĻšāĻžāρāϏāĻĻ⧇āϰ āϖ⧇āϤ⧇ āĻĻā§‡ā§ŸāĨ¤ āϤāĻžāϰāĻž āĻāϟāĻŋ āϤāĻžā§œāĻžāϤāĻžā§œāĻŋ āĻ–ā§‡ā§Ÿā§‡ āĻĢ⧇āϞ⧇āĨ¤)

āωāĻ¤ā§āϤāϰāσ

Ameen takes eggs, areca nuts, and a bottle gourd to sell at the bazar. These are arranged by his mother. (āφāĻŽāĻŋāύ āĻŦāĻžāϜāĻžāϰ⧇ āĻŦāĻŋāĻ•ā§āϰāĻŋ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻĄāĻŋāĻŽ, āϏ⧁āĻĒāĻžāϰāĻŋ, āĻāĻŦāĻ‚ āϞāĻžāω āύāĻŋā§Ÿā§‡ āϝāĻžā§ŸāĨ¤ āϤāĻžāϰ āĻŽāĻž āĻāϗ⧁āϞ⧋ āϗ⧁āĻ›āĻŋā§Ÿā§‡ āĻĻā§‡ā§ŸāĨ¤)

āωāĻ¤ā§āϤāϰāσ

He wears a half-sleeved floral shirt and a lungi. He looks in the mirror and combs his hair before leaving. (āϏ⧇ āĻšāĻžāĻĢ-āĻšāĻžāϤāĻž āĻĢ⧁āϞ⧇āϰ āĻ›āĻžāĻĒāĻžāϰ āĻļāĻžāĻ°ā§āϟ āφāϰ āϞ⧁āĻ™ā§āĻ—āĻŋ āĻĒāϰ⧇āĨ¤ āĻŦ⧇āϰ āĻšāĻ“ā§ŸāĻžāϰ āφāϗ⧇ āϏ⧇ āĻ†ā§ŸāύāĻžā§Ÿ āϚ⧁āϞ āφāρāϚ⧜āĻžā§ŸāĨ¤)

āωāĻ¤ā§āϤāϰāσ

Sonabhan feels sad because she often has to apologize for Ameen's mischief. She dislikes explaining that she raised him without his father. (āϏ⧋āύāĻžāĻ­āĻžāύ āĻĻ⧁āσāĻ–āĻŋāϤ āĻŦā§‹āϧ āĻ•āϰ⧇ āĻ•āĻžāϰāĻŖ āϤāĻžāϕ⧇ āĻĒā§āϰāĻžā§Ÿāχ āφāĻŽāĻŋāύ⧇āϰ āĻĻ⧁āĻˇā§āϟ⧁āĻŽāĻŋāϰ āϜāĻ¨ā§āϝ āĻ•ā§āώāĻŽāĻž āϚāĻžāχāϤ⧇ āĻšā§ŸāĨ¤ āϤāĻŋāύāĻŋ āĻāχ āĻŦā§āϝāĻžāĻ–ā§āϝāĻž āĻĻāĻŋāϤ⧇ āĻ…āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āϰ⧇āύ āϝ⧇ āϤāĻŋāύāĻŋ āϤāĻžāϕ⧇ āϤāĻžāϰ āĻŦāĻžāĻŦāĻžāϰ āϏāĻžāĻšāĻžāĻ¯ā§āϝ āĻ›āĻžā§œāĻžāχ āĻŦ⧜ āĻ•āϰ⧇āϛ⧇āύāĨ¤)

39
āĻļāĻŋāĻ•ā§āώāĻ•āĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻļ⧇āώāĻ­āĻžāĻŦ⧇ āϤ⧈āϰāĻŋ

ā§§ āĻ•ā§āϞāĻŋāϕ⧇ āĻĒā§āϰāĻļā§āύ, āĻļā§€āϟ, āϏāĻžāĻœā§‡āĻļāύ āĻ“
āĻ…āύāϞāĻžāχāύ āĻĒāϰ⧀āĻ•ā§āώāĻž āϤ⧈āϰāĻŋāϰ āϏāĻĢāϟāĻ“āϝāĻŧā§āϝāĻžāϰ!

āĻļ⧁āϧ⧁ āĻĒā§āϰāĻļā§āύ āϏāĻŋāϞ⧇āĻ•ā§āϟ āĻ•āϰ⧁āύ — āĻĒā§āϰāĻļā§āύāĻĒāĻ¤ā§āϰ āĻ…āĻŸā§‹āĻŽā§‡āϟāĻŋāĻ• āϤ⧈āϰāĻŋ!

āĻĒā§āϰāĻļā§āύ āĻāĻĄāĻŋāϟ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āϜāϞāĻ›āĻžāĻĒ āĻĻ⧇āϝāĻŧāĻž āϝāĻžāĻŦ⧇
āĻ āĻŋāĻ•āĻžāύāĻž āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
Logo, Motto āϝ⧁āĻ•ā§āϤ āĻšāĻŦ⧇
āĻ…āĻŸā§‹ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āύāĻžāĻŽ
āĻ…āĻŸā§‹ āϏāĻŽāϝāĻŧ, āĻĒā§‚āĻ°ā§āĻŖāĻŽāĻžāύ
āĻĒā§āϰāĻļā§āύ āĻāĻĄāĻŋāϟ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āϜāϞāĻ›āĻžāĻĒ āĻĻ⧇āϝāĻŧāĻž āϝāĻžāĻŦ⧇
āĻ āĻŋāĻ•āĻžāύāĻž āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
Logo, Motto āϝ⧁āĻ•ā§āϤ āĻšāĻŦ⧇
āĻ…āĻŸā§‹ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āύāĻžāĻŽ
āĻ…āĻŸā§‹ āϏāĻŽāϝāĻŧ, āĻĒā§‚āĻ°ā§āĻŖāĻŽāĻžāύ
āĻ…āĻŸā§‹ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāύāĻž (āĻāĻĄāĻŋāϟāϝ⧋āĻ—ā§āϝ)
āĻ…āĻŸā§‹ āĻŦāĻŋāώāϝāĻŧ āĻ“ āĻ…āĻ§ā§āϝāĻžāϝāĻŧ
OMR āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āĻĢāĻ¨ā§āϟ, āĻ•āϞāĻžāĻŽ, āĻĄāĻŋāĻ­āĻžāχāĻĄāĻžāϰ
āĻĒā§āϰāĻļā§āύ/āĻ…āĻĒāĻļāύ āĻ¸ā§āϟāĻžāχāϞ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ
āϏ⧇āϟ āϕ⧋āĻĄ, āĻŦāĻŋāώāϝāĻŧ āϕ⧋āĻĄ
āĻ…āĻŸā§‹ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāύāĻž (āĻāĻĄāĻŋāϟāϝ⧋āĻ—ā§āϝ)
āĻ…āĻŸā§‹ āĻŦāĻŋāώāϝāĻŧ āĻ“ āĻ…āĻ§ā§āϝāĻžāϝāĻŧ
OMR āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āĻĢāĻ¨ā§āϟ, āĻ•āϞāĻžāĻŽ, āĻĄāĻŋāĻ­āĻžāχāĻĄāĻžāϰ
āĻĒā§āϰāĻļā§āύ/āĻ…āĻĒāĻļāύ āĻ¸ā§āϟāĻžāχāϞ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ
āϏ⧇āϟ āϕ⧋āĻĄ, āĻŦāĻŋāώāϝāĻŧ āϕ⧋āĻĄ
āĻāĻ–āύāχ āĻļ⧁āϰ⧁ āĻ•āϰ⧁āύ āĻĄā§‡āĻŽā§‹ āĻĻ⧇āϖ⧁āύ
ā§Ģā§Ļ,ā§Ļā§Ļā§Ļ+
āĻļāĻŋāĻ•ā§āώāĻ•
ā§Šā§Ļ āϞāĻ•ā§āώ+
āĻĒā§āϰāĻļā§āύāĻĒāĻ¤ā§āϰ
āĻŽāĻžāĻ¤ā§āϰ ā§§ā§Ģ āĻĒ⧟āϏāĻžā§Ÿ āĻĒā§āϰāĻļā§āύāĻĒāĻ¤ā§āϰ
ā§§ āĻ•ā§āϞāĻŋāϕ⧇ āĻĒā§āϰāĻļā§āύ, āĻļā§€āϟ, āϏāĻžāĻœā§‡āĻļāύ āϤ⧈āϰāĻŋ āĻ•āϰ⧁āύ āφāϜāχ

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