Read the following text and answer the questions 1 and 2.
I want to write the most beautiful words about Gaza but I can't. I can't not see the poverty, stege and famine, especially when all Gaza city flooded into Al-Areesh and emptied it from all goods in two hours. I can't not see the deprivation in every house, the Year and the sickness.

What do you want me to say about Gaza? From when I became aware of it. I was sad about everything Inside it. Especially the kids and even the adults, youth, women, girls, animals, stones and trees. everything in it is crying... I'm looking for nice words to say and I can't find them.

The sea is the only thing that helps me dream. When I stand on the shore I can imagine Cyprus travel to Paris, fly to Rome, all while standing in the same spot. I go around the whole world and in the end 1 land on my bed in our house, in the middle of the refugee camp. I go back to the reality of Gaza, the dirty market, overflowing sewage, the carts, and what's on top of the carts, the suffocating smell, and the silent people who can't speak.

When I look at the clock and it's 11:55. I start shaking and my heart beats faster. I feel that the war started again. Not only the clock scares me everything that fltes does, even the flies. I can't tell anyone about my fear so they don't call me a wimp or a sissy. I'm most scared for my older brothers. When a fly lands on any of them, I feel it's going to kill him. I start shouting and I run away from the place. That's why I'm now escaping outside the house all the time, because of the many filtes.

Updated: 14 hours ago
āωāĻ¤ā§āϤāϰāσ

The author describes the living conditions in Gaza as very miserable. He says that there are poverty, sickness, and fear in every house. There are dirty markets and overflowing sewage. which shows that the environment is not clean or safe.

Md Zahid Hasan
Md Zahid Hasan
14 hours ago
āωāĻ¤ā§āϤāϰāσ

The passage shows that war has a huge impact on children. They live in fear. face many hardships, and feel sadness daily. The author's anxiety and worries about their family highlight how war affects their mental health and everyday life.

Md Zahid Hasan
Md Zahid Hasan
14 hours ago
āωāĻ¤ā§āϤāϰāσ

The author finds it difficult to express beautiful thoughts about Gaza because of the overwhelming sadness and despair they see all around. He wants to write lovely things but cannot ignore the pain and suffering that exists in the city.

Md Zahid Hasan
Md Zahid Hasan
14 hours ago
āωāĻ¤ā§āϤāϰāσ

The sea gives the author a chance to dream and escape from reality. When he stands by the sea, he can imagine travelling to beautiful places like Cyprus. Paris, and Rome. It allows him to forget their troubles for a little while.

Md Zahid Hasan
Md Zahid Hasan
14 hours ago
āωāĻ¤ā§āϤāϰāσ

The description of Gaza makes me feel sad and concerned. I think the writer's feelings are justified because they are living in a situation filled with fear, poverty, and sadness. It is normal to feel scared and worried when surrounded by such hardships. Everyone deserves to feel safe and happy, and the writer's emotions show the reality of life in Gaza.

Md Zahid Hasan
Md Zahid Hasan
14 hours ago
3
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ā§§ āĻ•ā§āϞāĻŋāϕ⧇ āĻĒā§āϰāĻļā§āύ, āĻļā§€āϟ, āϏāĻžāĻœā§‡āĻļāύ āĻ“
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āĻļ⧁āϧ⧁ āĻĒā§āϰāĻļā§āύ āϏāĻŋāϞ⧇āĻ•ā§āϟ āĻ•āϰ⧁āύ — āĻĒā§āϰāĻļā§āύāĻĒāĻ¤ā§āϰ āĻ…āĻŸā§‹āĻŽā§‡āϟāĻŋāĻ• āϤ⧈āϰāĻŋ!

āĻĒā§āϰāĻļā§āύ āĻāĻĄāĻŋāϟ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āϜāϞāĻ›āĻžāĻĒ āĻĻ⧇āϝāĻŧāĻž āϝāĻžāĻŦ⧇
āĻ āĻŋāĻ•āĻžāύāĻž āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
Logo, Motto āϝ⧁āĻ•ā§āϤ āĻšāĻŦ⧇
āĻ…āĻŸā§‹ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āύāĻžāĻŽ
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āϜāϞāĻ›āĻžāĻĒ āĻĻ⧇āϝāĻŧāĻž āϝāĻžāĻŦ⧇
āĻ āĻŋāĻ•āĻžāύāĻž āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
Logo, Motto āϝ⧁āĻ•ā§āϤ āĻšāĻŦ⧇
āĻ…āĻŸā§‹ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āύāĻžāĻŽ
āĻ…āĻŸā§‹ āϏāĻŽāϝāĻŧ, āĻĒā§‚āĻ°ā§āĻŖāĻŽāĻžāύ
āĻ…āĻŸā§‹ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāύāĻž (āĻāĻĄāĻŋāϟāϝ⧋āĻ—ā§āϝ)
āĻ…āĻŸā§‹ āĻŦāĻŋāώāϝāĻŧ āĻ“ āĻ…āĻ§ā§āϝāĻžāϝāĻŧ
OMR āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āĻĢāĻ¨ā§āϟ, āĻ•āϞāĻžāĻŽ, āĻĄāĻŋāĻ­āĻžāχāĻĄāĻžāϰ
āĻĒā§āϰāĻļā§āύ/āĻ…āĻĒāĻļāύ āĻ¸ā§āϟāĻžāχāϞ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ
āϏ⧇āϟ āϕ⧋āĻĄ, āĻŦāĻŋāώāϝāĻŧ āϕ⧋āĻĄ
āĻ…āĻŸā§‹ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāύāĻž (āĻāĻĄāĻŋāϟāϝ⧋āĻ—ā§āϝ)
āĻ…āĻŸā§‹ āĻŦāĻŋāώāϝāĻŧ āĻ“ āĻ…āĻ§ā§āϝāĻžāϝāĻŧ
OMR āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āĻĢāĻ¨ā§āϟ, āĻ•āϞāĻžāĻŽ, āĻĄāĻŋāĻ­āĻžāχāĻĄāĻžāϰ
āĻĒā§āϰāĻļā§āύ/āĻ…āĻĒāĻļāύ āĻ¸ā§āϟāĻžāχāϞ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ
āϏ⧇āϟ āϕ⧋āĻĄ, āĻŦāĻŋāώāϝāĻŧ āϕ⧋āĻĄ
āĻāĻ–āύāχ āĻļ⧁āϰ⧁ āĻ•āϰ⧁āύ āĻĄā§‡āĻŽā§‹ āĻĻ⧇āϖ⧁āύ
ā§Ģā§Ļ,ā§Ļā§Ļā§Ļ+
āĻļāĻŋāĻ•ā§āώāĻ•
ā§Šā§Ļ āϞāĻ•ā§āώ+
āĻĒā§āϰāĻļā§āύāĻĒāĻ¤ā§āϰ
āĻŽāĻžāĻ¤ā§āϰ ā§§ā§Ģ āĻĒ⧟āϏāĻžā§Ÿ āĻĒā§āϰāĻļā§āύāĻĒāĻ¤ā§āϰ
ā§§ āĻ•ā§āϞāĻŋāϕ⧇ āĻĒā§āϰāĻļā§āύ, āĻļā§€āϟ, āϏāĻžāĻœā§‡āĻļāύ āϤ⧈āϰāĻŋ āĻ•āϰ⧁āύ āφāϜāχ

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