āĻ•āϤāĻŋāĻĒ⧟ āĻŦāĻžāĻ‚āϞāĻž āĻ—āĻ˛ā§āĻĒ⧇āϰ āχāĻ‚āϰ⧇āϜāĻŋ āĻ…āύ⧁āĻŦāĻžāĻĻ

āĻŦāĻžāĻ‚āϞāĻž āĻ—ā§āϰāĻ¨ā§āĻĨ

āϰāϚ⧟āĻŋāϤāĻž

āχāĻ‚āϰ⧇āϜāĻŋ āĻ…āύ⧁āĻŦāĻžāĻĻ

āĻ…āύ⧁āĻŦāĻžāĻĻāĻ•āĻžāϰ⧀

āĻ—ā§€āϤāĻžāĻžā§āϜāϞāĻŋāϰāĻŦā§€āĻ¨ā§āĻĻā§āϰāύāĻžāĻĨ āĻ āĻžāϕ⧁āϰSong OfferingsW.B. Yeats
āύāĻ•āĻļā§€ āĻ•āĻžāρāĻĨāĻžāϰ āĻŽāĻžāĻ āϜāϏ⧀āĻŽāωāĻĻā§āĻĻā§€āύThe Field of Embroidered QuiltE.M. Millford
āύ⧀āϞāĻĻāĻ°ā§āĻĒāĻŖāĻĻā§€āύāĻŦāĻ¨ā§āϧ⧁ āĻŽāĻŋāĻ¤ā§āϰThe Indigo Planting MirrorāĻŽāĻžāχāϕ⧇āϞ āĻŽāϧ⧁āϏ⧂āĻĻāύ āĻĻāĻ¤ā§āϤ
āĻ…āϏāĻŽāĻžāĻĒā§āϤ āφāĻ¤ā§āĻŽāĻœā§€āĻŦāύ⧀āĻŦāĻ™ā§āĻ—āĻŦāĻ¨ā§āϧ⧁ āĻļ⧇āĻ– āĻŽā§āϜāĻŋāĻŦ⧁āϰ āϰāĻšāĻŽāĻžāύThe Unfinished MemoirsāĻ…āĻ§ā§āϝāĻžāĻĒāĻ• āĻĢāĻ•āϰ⧁āϞ āφāϞāĻŽ
āϞāĻžāϞāϏāĻžāϞ⧁āϏ⧈⧟āĻĻ āĻ“ā§ŸāĻžāϞ⧀ āωāĻ˛ā§āϞāĻžāĻšTree Without Roots

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āωāĻ¤ā§āϤāϰāσ

The proverb "Darkness is the harbinger of light" encapsulates a profound truth about life's cyclical nature and the inevitability of change. It suggests that periods of difficulty, despair, and ignorance are not merely ends in themselves, but rather precursors to new beginnings, hope, and enlightenment. Just as the darkest hour of the night precedes the dawn, so too do the most challenging experiences often pave the way for personal growth, discovery, and ultimate success.

This idea transcends mere physical phenomena and extends into philosophical and psychological realms. In a metaphorical sense, "darkness" can represent ignorance, suffering, oppression, or failure. These moments, though painful, often force introspection, resilience, and the search for solutions. They serve as catalysts, compelling individuals or societies to innovate, to learn from mistakes, and to strive for a better future. Without the contrast of darkness, the brilliance of light would lose its significance.

Therefore, this adage encourages perseverance and optimism, reminding us that even in the bleakest circumstances, the seeds of a brighter future are being sown. It is a powerful message of hope, advocating for the belief that every struggle, every hardship, and every moment of despair is a necessary prelude to a more positive and enlightened phase. Recognizing this allows one to face adversity with courage, understanding that the end of one difficult chapter is often the very beginning of a new, more promising one.

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āωāĻ¤ā§āϤāϰāσ

The saying "Time is a great healer" encapsulates a profound truth about human experience and the process of recovery. It suggests that with the passage of time, the intensity of pain, sorrow, disappointment, or trauma gradually diminishes, allowing individuals to overcome adversities and find peace.

Initially, when faced with loss, heartbreak, or suffering, the emotional burden can feel insurmountable. Wounds, both physical and emotional, often feel raw and unbearable. However, as days turn into weeks, and weeks into months, time begins its subtle work. It provides distance from the immediate impact of the event, allowing for a shift in perspective. New experiences, new routines, and new interactions gradually fill the void left by past hurts, slowly but surely dulling the sharpness of grief or anguish.

Moreover, time allows for psychological processing. It gives individuals the opportunity to reflect, understand, and eventually accept what has happened. Memories may remain, but their capacity to inflict intense pain lessens. This gradual process of adjustment, acceptance, and rebuilding is facilitated by time, which encourages resilience and the human capacity to adapt. Thus, "Time is a great healer" offers a message of hope, reminding us that even the deepest wounds can eventually mend, leaving us stronger and wiser.

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āωāĻ¤ā§āϤāϰāσ

Propaganda is a systematic and often deliberate spread of information, frequently biased or misleading in nature, designed to influence public opinion or a particular audience's attitude and behavior. Unlike a genuine argument, which seeks to persuade through logic, evidence, and reasoned discourse, propaganda relies heavily on emotional appeal, half-truths, selective information, and sometimes outright falsehoods to achieve its objectives.

The inherent flaw in propaganda as a form of argument lies in its manipulative intent. While an argument aims to present a case and allow the audience to make an informed decision based on presented facts and reasoning, propaganda bypasses critical thinking. It exploits existing biases, fears, or aspirations, creating an environment where objective evaluation is difficult or even discouraged. This approach undermines intellectual honesty and rational debate, which are crucial for sound decision-making in any society.

Furthermore, propaganda often stifles dissent and suppresses alternative viewpoints, presenting a singular narrative as the absolute truth. This lack of open discussion and the absence of a fair hearing for opposing perspectives prevent a comprehensive understanding of an issue. By distorting reality and appealing to base emotions rather than intellect, propaganda erodes trust in information sources, polarizes communities, and ultimately hinders progress. Therefore, it can be rightly termed the worst form of argument, as it perverts the very purpose of constructive communication and truth-seeking.

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āĻŦāĻŋāĻŦāĻžāĻš āύāĻžāϰ⧀āĻĻ⧇āϰ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻž āĻĻāĻŋā§Ÿā§‡ āĻĨāĻžāϕ⧇āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāϰ āĻ•āĻžāϰāϪ⧇ āύāĻžāϰ⧀ āϤāĻžāϰ āĻ…āϧāĻŋāĻ•āĻžāϰ  āϏāĻ‚āϰāĻ•ā§āώāĻŖ  āĻ•āϰāϤ⧇  āĻĒāĻžāϰāϛ⧇ āύāĻž āĻ¸ā§āĻŦāĻžāĻŽā§€ āĻŦāĻŋā§Ÿā§‡āϰ āĻĒāϰ āχāĻšā§āϛ⧇ āĻ•āϰāϞ⧇āχ āĻ¸ā§āĻ¤ā§āϰ⧀āϕ⧇ āĻ›ā§‡ā§œā§‡ āϚāϞ⧇ āϝāĻžāĻšā§āϛ⧇  āĻŦāĻž āĻĒāĻžāϰāϛ⧇āĨ¤ āĻāϏāĻŦ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻĒ⧁āϰ⧁āώ āĻ…āύ⧇āĻ• āϏāĻŽā§Ÿ āύāĻžāϰ⧀āϰāĻž āφāχāύāĻžāύ⧁āĻ— āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ—ā§āϰāĻšāĻŖ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāϛ⧇ āύāĻžāĨ¤  āĻĒā§āϰāĻŽāĻžāϪ⧇āϰ āĻ…āĻ­āĻžāĻŦ⧇āĨ¤ āĻ…āύ⧇āĻ• āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻĒ⧁āϰ⧁āώ āĻŦāĻŋā§Ÿā§‡āϰ āϏāĻ¤ā§āϝāϤāĻž āĻ…āĻ¸ā§āĻŦā§€āĻ•āĻžāϰ āĻ•āϰ⧇āĨ¤ āĻĢāϞ⧇ āύāĻžāϰ⧀ āφāϰāĻ“ āĻ…āϏāĻšāĻžā§Ÿ āĻ…āĻŦāĻ¸ā§āĻĨāĻžā§Ÿ āĻŽāĻ§ā§āϝ⧇ āĻĒāϤāĻŋāϤ āĻšā§ŸāĨ¤ āĻ āĻ…āĻŦāĻ¸ā§āĻĨāĻž āĻĨ⧇āϕ⧇ āύāĻžāϰ⧀āĻĻ⧇āϰ āϏāĻžāĻšāĻžāĻ¯ā§āϝ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻŦāĻžāĻš āϰ⧇āϜāĻŋāĻ¸ā§āĻŸā§āϰ⧇āĻļāύ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ­ā§‚āĻŽāĻŋāĻ•āĻž āϰāĻžāĻ–āϤ⧇ āĻ•āϰ⧇ āĻŦāĻŋāĻŦāĻžāĻš āύāĻžāϰ⧀ āĻ“ āĻĒ⧁āϰ⧁āώ⧇āϰ āĻāĻ•āĻ¤ā§āϰ⧇ āĻŦāϏāĻŦāĻžāϏ āĻ•āϰāĻžāϰ āφāχāύāϏāĻ‚āĻ—āϤ āϚ⧁āĻ•ā§āϤāĻŋ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻ“ āϧāĻ°ā§āĻŽā§€āϝāĻŧ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĨ¤ āĻĻāĻžāĻŽā§āĻĒāĻ¤ā§āϝ āĻœā§€āĻŦāύ āĻ“ āϏāĻ‚āϏāĻžāϰ āϧāĻ°ā§āĻŽāϕ⧇ āϏāĻžāĻ°ā§āĻŦāĻŋāĻ• āϏ⧁āϰāĻ•ā§āώāĻž āĻĻāĻŋāϤ⧇āχ āĻŦāĻŋāĻŦāĻžāĻš āĻĒā§āϰāĻĨāĻžāϰ āϏ⧃āĻˇā§āϟāĻŋ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ (Translate into English)
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āωāĻ¤ā§āϤāϰāσ

āύ⧀āϞ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋ āĻĻāĻžāϰāĻŋāĻĻā§āĻ°ā§āϝ āĻŦāĻŋāĻŽā§‹āϚāύ⧇ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ­ā§‚āĻŽāĻŋāĻ•āĻž āĻĒāĻžāϞāύ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇, āϝāĻž āĻ–āĻžāĻĻā§āϝ āĻ“ āĻĒ⧁āĻˇā§āϟāĻŋ āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻž, āϜāϞāĻŦāĻžāϝāĻŧ⧁ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āĻĒā§āϰāĻļāĻŽāύ āĻ“ āĻ…āĻ­āĻŋāϝ⧋āϜāύ āĻāĻŦāĻ‚ āĻŸā§‡āĻ•āϏāχ āĻ“ āĻ…āĻ¨ā§āϤāĻ°ā§āϭ⧁āĻ•ā§āϤāĻŋāĻŽā§‚āϞāĻ• āĻœā§€āĻŦāĻŋāĻ•āĻž āϤ⧈āϰāĻŋāϤ⧇ āĻ…āĻŦāĻĻāĻžāύ āϰāĻžāϖ⧇āĨ¤ āĻ…āϤāĻāĻŦ, āύ⧀āϞ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāϰ āϜāĻ¨ā§āϝ āϏāĻŽā§āĻĻā§āϰ āĻ“ āωāĻĒāϕ⧂āϞ⧀āϝāĻŧ āĻŦāĻžāĻ¸ā§āϤ⧁āϤāĻ¨ā§āĻ¤ā§āϰ, āϏāĻŽāĻ¸ā§āϤ āϏāĻžāĻŽā§āĻĻā§āϰāĻŋāĻ• āϏāĻŽā§āĻĒāĻĻ āĻ“ āϏ⧇āĻŦāĻžāϰ āϏāĻ‚āϰāĻ•ā§āώāĻŖ, āωāĻ¨ā§āύāϝāĻŧāύ āĻāĻŦāĻ‚ āĻŦā§āϝāĻŦāĻšāĻžāϰ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻāĻ•āϟāĻŋ āĻ­āĻžāϰāϏāĻžāĻŽā§āϝāĻĒā§‚āĻ°ā§āĻŖ āĻĻ⧃āĻˇā§āϟāĻŋāĻ­āĻ™ā§āĻ—āĻŋ āĻĒā§āϰāϝāĻŧā§‹āϜāύ, āϝāĻžāϰ āϞāĻ•ā§āĻˇā§āϝ āĻŽā§‚āĻ˛ā§āϝ āĻŦ⧃āĻĻā§āϧāĻŋ, āĻļā§‹āĻ­āύ āĻ•āĻ°ā§āĻŽāϏāĻ‚āĻ¸ā§āĻĨāĻžāύ āϤ⧈āϰāĻŋ, āĻāĻŦāĻ‚ āĻ‰ā§ŽāĻĒāĻžāĻĻāύāĻļā§€āϞ āϏāĻžāĻŽā§āĻĻā§āϰāĻŋāĻ• āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋ āĻ“ āϏ⧁āĻ¸ā§āĻĨ āϏāĻžāĻŽā§āĻĻā§āϰāĻŋāĻ• āĻŦāĻžāĻ¸ā§āϤ⧁āϤāĻ¨ā§āĻ¤ā§āϰ āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰāĻžāĨ¤ āĻĒā§āϰāĻžāĻĨāĻŽāĻŋāĻ•āĻ­āĻžāĻŦ⧇, āύ⧀āϞ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāϤ⧇ āĻŽāĻžāύ⧁āώ⧇āϰ āĻ•āĻ˛ā§āϝāĻžāĻŖ āĻ“ āĻœā§€āĻŦāĻŋāĻ•āĻžāϰ āĻ“āĻĒāϰ āĻĒāĻ°ā§āϝāĻžāĻĒā§āϤ āĻŽāύ⧋āϝ⧋āĻ— āĻĻāĻŋāϤ⧇ āĻšāĻŦ⧇āĨ¤ āĻĻā§āĻŦāĻŋāϤ⧀āϝāĻŧāϤ, āύ⧀āϞ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋ āĻŦāĻŋāώāϝāĻŧ⧇ āĻĻ⧇āĻļ āĻ“ āĻ…āĻ‚āĻļā§€āϜāύāĻĻ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻŽā§āĻĒ⧃āĻ•ā§āϤāϤāĻž āĻĒāĻžāϰāĻ¸ā§āĻĒāϰāĻŋāĻ• āφāĻ¸ā§āĻĨāĻž āĻ“ āĻļā§āϰāĻĻā§āϧāĻž, āϏāĻŽāϤāĻžāĻĒā§‚āĻ°ā§āĻŖ āĻĒāĻžāϰāĻ¸ā§āĻĒāϰāĻŋāĻ• āϏ⧁āĻŦāĻŋāϧāĻž āĻāĻŦāĻ‚ āϏāĻ•āϞ āϏāĻžāĻ—āϰ-āϕ⧇āĻ¨ā§āĻĻā§āϰāĻŋāĻ• āωāĻĻā§āϝ⧋āϗ⧇āϰ āĻŸā§‡āĻ•āϏāχ āĻ“ āωāĻĒāĻ•āĻžāϰ⧀ āĻĢāϞāĻžāĻĢāϞ āύāĻŋāĻļā§āϚāĻŋāϤ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āϏ⧁āĻŦāĻŋāϧāĻž āĻŦāĻŖā§āϟāύ⧇āϰ āύ⧀āϤāĻŋāϰ āĻ“āĻĒāϰ āĻ­āĻŋāĻ¤ā§āϤāĻŋ āĻ•āϰ⧇ āĻšāĻ“āϝāĻŧāĻž āωāϚāĻŋāϤāĨ¤ āĻŦāϞāĻžāχ āĻŦāĻžāĻšā§āĻ˛ā§āϝ āϝ⧇, āĻŦ⧇āĻļāĻŋāϰāĻ­āĻžāĻ— āωāĻ¨ā§āύāϝāĻŧāύāĻļā§€āϞ āϰāĻžāĻˇā§āĻŸā§āϰ, āĻŦāĻŋāĻļ⧇āώ āĻ•āϰ⧇ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻŽāϤ⧋ āĻĻ⧇āĻļāϗ⧁āϞāĻŋāϰ āϜāĻ¨ā§āϝ āύ⧀āϞ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāϰ āĻŦāĻŋāĻļā§āĻŦ⧇ āωāĻ¤ā§āϤāϰāĻŖ āϤāĻžāĻĻ⧇āϰ āύ⧀āϤāĻŋāĻ—āϤ āĻ—āϤāĻŋāĻŦāĻŋāϧāĻŋ āĻāĻŦāĻ‚ āĻļāĻžāϏāύ āĻ•āĻžāĻ āĻžāĻŽā§‹āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻŽā§ŒāϞāĻŋāĻ• āĻ“ āĻĒāĻĻā§āϧāϤāĻŋāĻ—āϤ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āφāύāĻŦ⧇āĨ¤ āĻāϤ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϏāĻžāĻŽā§āĻĻā§āϰāĻŋāĻ• āĻ…āĻ°ā§āĻĨāύ⧈āϤāĻŋāĻ• āĻ•āĻžāĻ°ā§āϝāĻžāĻŦāϞ⧀ āϚāĻŋāĻšā§āύāĻŋāϤāĻ•āϰāϪ⧇āϰāĻ“ āĻĒā§āϰāϝāĻŧā§‹āϜāύ āĻšāĻŦ⧇āĨ¤ āĻ•āĻžāϰāĻŖ, āύ⧀āϞ āĻ…āĻ°ā§āĻĨāύ⧀āϤāĻŋāϰ āĻĒā§āϰ⧇āĻ•ā§āώāĻžāĻĒāĻŸā§‡ āϏāĻžāĻŽā§āĻĻā§āϰāĻŋāĻ• āĻ•āĻžāĻ°ā§āϝāĻžāĻŦāϞ⧀ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āĻ…āĻ°ā§āĻĨāύ⧈āϤāĻŋāĻ• āĻ–āĻžāϤ⧇āϰ āĻŽāĻ§ā§āϝ⧇āχ āϏ⧀āĻŽāĻžāĻŦāĻĻā§āϧ āύāϝāĻŧ, āĻŦāϰāĻ‚ āϤāĻžāϰāĻž āϤāĻžāĻĻ⧇āϰ āĻĒā§āϰāĻžāϏāĻ™ā§āĻ—āĻŋāĻ• āϏāĻžāĻŽā§āĻĻā§āϰāĻŋāĻ• āĻŽā§‚āĻ˛ā§āϝ āĻļ⧃āĻ™ā§āĻ–āϞāϕ⧇ āĻ…āĻ¨ā§āϤāĻ°ā§āϭ⧁āĻ•ā§āϤ āĻ•āϰ⧇, āϝāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āĻĒāĻļā§āϚāĻžā§ŽāĻĒāĻĻ āĻ“ āĻ…āĻ—ā§āϰāĻŦāĻ°ā§āϤ⧀ āϏāĻ‚āϝ⧋āĻ—āϗ⧁āϞāĻŋāĻ“ āϰāϝāĻŧ⧇āϛ⧇āĨ¤

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āĻļāĻŋāĻ•ā§āώāĻ•āĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻļ⧇āώāĻ­āĻžāĻŦ⧇ āϤ⧈āϰāĻŋ

ā§§ āĻ•ā§āϞāĻŋāϕ⧇ āĻĒā§āϰāĻļā§āύ, āĻļā§€āϟ, āϏāĻžāĻœā§‡āĻļāύ āĻ“
āĻ…āύāϞāĻžāχāύ āĻĒāϰ⧀āĻ•ā§āώāĻž āϤ⧈āϰāĻŋāϰ āϏāĻĢāϟāĻ“āϝāĻŧā§āϝāĻžāϰ!

āĻļ⧁āϧ⧁ āĻĒā§āϰāĻļā§āύ āϏāĻŋāϞ⧇āĻ•ā§āϟ āĻ•āϰ⧁āύ — āĻĒā§āϰāĻļā§āύāĻĒāĻ¤ā§āϰ āĻ…āĻŸā§‹āĻŽā§‡āϟāĻŋāĻ• āϤ⧈āϰāĻŋ!

āĻĒā§āϰāĻļā§āύ āĻāĻĄāĻŋāϟ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āϜāϞāĻ›āĻžāĻĒ āĻĻ⧇āϝāĻŧāĻž āϝāĻžāĻŦ⧇
āĻ āĻŋāĻ•āĻžāύāĻž āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
Logo, Motto āϝ⧁āĻ•ā§āϤ āĻšāĻŦ⧇
āĻ…āĻŸā§‹ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āύāĻžāĻŽ
āĻ…āĻŸā§‹ āϏāĻŽāϝāĻŧ, āĻĒā§‚āĻ°ā§āĻŖāĻŽāĻžāύ
āĻĒā§āϰāĻļā§āύ āĻāĻĄāĻŋāϟ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āϜāϞāĻ›āĻžāĻĒ āĻĻ⧇āϝāĻŧāĻž āϝāĻžāĻŦ⧇
āĻ āĻŋāĻ•āĻžāύāĻž āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
Logo, Motto āϝ⧁āĻ•ā§āϤ āĻšāĻŦ⧇
āĻ…āĻŸā§‹ āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āĻžāύ⧇āϰ āύāĻžāĻŽ
āĻ…āĻŸā§‹ āϏāĻŽāϝāĻŧ, āĻĒā§‚āĻ°ā§āĻŖāĻŽāĻžāύ
āĻ…āĻŸā§‹ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāύāĻž (āĻāĻĄāĻŋāϟāϝ⧋āĻ—ā§āϝ)
āĻ…āĻŸā§‹ āĻŦāĻŋāώāϝāĻŧ āĻ“ āĻ…āĻ§ā§āϝāĻžāϝāĻŧ
OMR āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āĻĢāĻ¨ā§āϟ, āĻ•āϞāĻžāĻŽ, āĻĄāĻŋāĻ­āĻžāχāĻĄāĻžāϰ
āĻĒā§āϰāĻļā§āύ/āĻ…āĻĒāĻļāύ āĻ¸ā§āϟāĻžāχāϞ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ
āϏ⧇āϟ āϕ⧋āĻĄ, āĻŦāĻŋāώāϝāĻŧ āϕ⧋āĻĄ
āĻ…āĻŸā§‹ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāύāĻž (āĻāĻĄāĻŋāϟāϝ⧋āĻ—ā§āϝ)
āĻ…āĻŸā§‹ āĻŦāĻŋāώāϝāĻŧ āĻ“ āĻ…āĻ§ā§āϝāĻžāϝāĻŧ
OMR āϏāĻ‚āϝ⧁āĻ•ā§āϤ āĻ•āϰāĻž āϝāĻžāĻŦ⧇
āĻĢāĻ¨ā§āϟ, āĻ•āϞāĻžāĻŽ, āĻĄāĻŋāĻ­āĻžāχāĻĄāĻžāϰ
āĻĒā§āϰāĻļā§āύ/āĻ…āĻĒāĻļāύ āĻ¸ā§āϟāĻžāχāϞ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ
āϏ⧇āϟ āϕ⧋āĻĄ, āĻŦāĻŋāώāϝāĻŧ āϕ⧋āĻĄ
āĻāĻ–āύāχ āĻļ⧁āϰ⧁ āĻ•āϰ⧁āύ āĻĄā§‡āĻŽā§‹ āĻĻ⧇āϖ⧁āύ
ā§Ģā§Ļ,ā§Ļā§Ļā§Ļ+
āĻļāĻŋāĻ•ā§āώāĻ•
ā§Šā§Ļ āϞāĻ•ā§āώ+
āĻĒā§āϰāĻļā§āύāĻĒāĻ¤ā§āϰ

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āĻŦāĻŋāĻŦāĻžāĻš āύāĻžāϰ⧀āĻĻ⧇āϰ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āύāĻŋāϰāĻžāĻĒāĻ¤ā§āϤāĻž āĻĻāĻŋā§Ÿā§‡ āĻĨāĻžāϕ⧇āĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžāϰ āĻ•āĻžāϰāϪ⧇ āύāĻžāϰ⧀ āϤāĻžāϰ āĻ…āϧāĻŋāĻ•āĻžāϰ  āϏāĻ‚āϰāĻ•ā§āώāĻŖ  āĻ•āϰāϤ⧇  āĻĒāĻžāϰāϛ⧇ āύāĻž āĻ¸ā§āĻŦāĻžāĻŽā§€ āĻŦāĻŋā§Ÿā§‡āϰ āĻĒāϰ āχāĻšā§āϛ⧇ āĻ•āϰāϞ⧇āχ āĻ¸ā§āĻ¤ā§āϰ⧀āϕ⧇ āĻ›ā§‡ā§œā§‡ āϚāϞ⧇ āϝāĻžāĻšā§āϛ⧇  āĻŦāĻž āĻĒāĻžāϰāϛ⧇āĨ¤ āĻāϏāĻŦ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻĒ⧁āϰ⧁āώ āĻ…āύ⧇āĻ• āϏāĻŽā§Ÿ āύāĻžāϰ⧀āϰāĻž āφāχāύāĻžāύ⧁āĻ— āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻ—ā§āϰāĻšāĻŖ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāϛ⧇ āύāĻžāĨ¤  āĻĒā§āϰāĻŽāĻžāϪ⧇āϰ āĻ…āĻ­āĻžāĻŦ⧇āĨ¤ āĻ…āύ⧇āĻ• āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻĒ⧁āϰ⧁āώ āĻŦāĻŋā§Ÿā§‡āϰ āϏāĻ¤ā§āϝāϤāĻž āĻ…āĻ¸ā§āĻŦā§€āĻ•āĻžāϰ āĻ•āϰ⧇āĨ¤ āĻĢāϞ⧇ āύāĻžāϰ⧀ āφāϰāĻ“ āĻ…āϏāĻšāĻžā§Ÿ āĻ…āĻŦāĻ¸ā§āĻĨāĻžā§Ÿ āĻŽāĻ§ā§āϝ⧇ āĻĒāϤāĻŋāϤ āĻšā§ŸāĨ¤ āĻ āĻ…āĻŦāĻ¸ā§āĻĨāĻž āĻĨ⧇āϕ⧇ āύāĻžāϰ⧀āĻĻ⧇āϰ āϏāĻžāĻšāĻžāĻ¯ā§āϝ⧇āϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāĻŦāĻžāĻš āϰ⧇āϜāĻŋāĻ¸ā§āĻŸā§āϰ⧇āĻļāύ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ­ā§‚āĻŽāĻŋāĻ•āĻž āϰāĻžāĻ–āϤ⧇ āĻ•āϰ⧇ āĻŦāĻŋāĻŦāĻžāĻš āύāĻžāϰ⧀ āĻ“ āĻĒ⧁āϰ⧁āώ⧇āϰ āĻāĻ•āĻ¤ā§āϰ⧇ āĻŦāϏāĻŦāĻžāϏ āĻ•āϰāĻžāϰ āφāχāύāϏāĻ‚āĻ—āϤ āϚ⧁āĻ•ā§āϤāĻŋ āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻ“ āϧāĻ°ā§āĻŽā§€āϝāĻŧ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĨ¤ āĻĻāĻžāĻŽā§āĻĒāĻ¤ā§āϝ āĻœā§€āĻŦāύ āĻ“ āϏāĻ‚āϏāĻžāϰ āϧāĻ°ā§āĻŽāϕ⧇ āϏāĻžāĻ°ā§āĻŦāĻŋāĻ• āϏ⧁āϰāĻ•ā§āώāĻž āĻĻāĻŋāϤ⧇āχ āĻŦāĻŋāĻŦāĻžāĻš āĻĒā§āϰāĻĨāĻžāϰ āϏ⧃āĻˇā§āϟāĻŋ āĻšāϝāĻŧ⧇āϛ⧇āĨ¤ (Translate into English)
āĻŽāĻžāĻ¤ā§āϰ ā§§ā§Ģ āĻĒ⧟āϏāĻžā§Ÿ āĻĒā§āϰāĻļā§āύāĻĒāĻ¤ā§āϰ
ā§§ āĻ•ā§āϞāĻŋāϕ⧇ āĻĒā§āϰāĻļā§āύ, āĻļā§€āϟ, āϏāĻžāĻœā§‡āĻļāύ āϤ⧈āϰāĻŋ āĻ•āϰ⧁āύ āφāϜāχ

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